Monday, December 05, 2011

Radley Balko: SWAT Raids, Stun Guns, And Pepper Spray: Why The Government Is Ramping Up The Use Of Force

In February of last year, video surfaced of a marijuana raid in Columbia, Mo. During the raid on Jonathan Whitworth and his family, police took down the door with a battering ram, then shot and killed one of Whitworth's dogs within seconds of entering the home and they wounded the other. They didn't find enough pot in the home to charge Whitworth with even a misdemeanor. (He was, however, charged with misdemeanor possession of drug paraphernalia when police found a pipe.) The disturbing video went viral in May 2010, triggering outrage around the world. On Fox News, conservative columnist Charles Krauthammer and Bill O'Reilly cautioned not to judge the entire drug war by the video, which they characterized as an isolated incident.

In fact, very little about the raid that was unusual. For the most part, it was carried out the same way drug warrants are served some 150 times per day in the United States. The battering ram, the execution of Whitworth's dog, the fact that police weren't aware Whitworth's 7-year-old child was in the home before they riddled the place with bullets, the fact that they found only a small amount of pot, likely for personal use -- all are common in drug raids. The only thing unusual was that the raid was recorded by police, then released to the public after an open records request by the Columbia Daily Tribune. It was as if much of the country was seeing for the first time the violence with which the drug war is actually fought. And they didn't like what they saw.

That video came to mind with the outrage and public debate over the now-infamous pepper-spraying of Occupy protesters at the University of California-Davis protest earlier this month. The incident was just one of a number of high-profile uses of force amid crackdowns on Occupy protesters across the country, including one in Oakland in which the skull of Iraq War veteran Scott Olsen was fractured by a tear gas canister, and in New York, where NYPD Officer Anthony Bologna pepper-sprayed protesters who had been penned in by police fencing.

But America's police departments have been moving toward more aggressive, force-first, militaristic tactics and their accompanying mindset for 30 years. It's just that, with the exception of protests at the occasional free trade or World Bank summit, the tactics haven't generally been used on mostly white, mostly college-educated kids armed with cellphone cameras and a media platform.

Police militarization is now an ingrained part of American culture. SWAT teams are featured in countless cop reality shows, and wrong-door raids are the subject of "The Simpsons" bits and search engine commercials. Tough-on-crime sheriffs now sport tanks and hardware more equipped for battle in a war zone than policing city streets. Seemingly benign agencies such as state alcohol control boards and the federal Department of Education can now enforce laws and regulations not with fines and clipboards, but with volatile raids by paramilitary police teams.

Outraged by the Occupy crackdowns, some pundits and political commentators who paid little heed to these issues in the past are now calling for a national discussion on the use of force. That's a welcome development, but it's helpful to review how we got here in order to have an honest discussion.

Part of the trend can be attributed to the broader tough-on-crime and drug war policies pushed by politicians of both parties since at least the early 1980s, but part of the problem also lies with America's political culture. Public officials' decisions today to use force and the amount of force are as governed by political factors as by an honest assessment of the threat a suspect or group may pose. Over the years, both liberals and conservatives have periodically raised alarms over the government's increasing willingness to use disproportionately aggressive force. And over the years, both sides have tended to hush up when the force is applied by political allies, directed at political opponents, or is used to enforce the sorts of laws they favor.

How We Got Here

According to Eastern Kentucky University criminologist Peter Kraska, the number of SWAT raids carried out each year in America has jumped dramatically over the last generation or so, from just a few thousand in the 1980s to around 50,000 by the mid-2000s, when Kraska stopped his survey. He found that the vast majority of the increase is attributable to the drug war -- namely warrant service on low-to-mid-level drug offenders. A number of federal policies have driven the trend, including offering domestic police departments military training, allowing training with military organizations, using "troops-to-cops" programs and offering surplus military equipment and weaponry to domestic police police departments for free or at major discounts. There has also been a constant barrage of martial rhetoric from politicians and policymakers.

Dress cops up as soldiers, give them military equipment, train them in military tactics, tell them they're fighting a "war," and the consequences are predictable. These policies have taken a toll. Among the victims of increasingly aggressive and militaristic police tactics: Cheye Calvo, the mayor of Berwyn Heights, Md., whose dogs were killed when Prince George's County police mistakenly raided his home; 92-year-old Katherine Johnston, who was gunned down by narcotics cops in Atlanta in 2006; 11-year-old Alberto Sepulveda, who was killed by Modesto, Calif., police during a drug raid in September 2000; 80-year-old Isaac Singletary, who was shot by undercover narcotics police in 2007 who were attempting to sell drugs from his yard; Jonathan Ayers, a Georgia pastor shot as he tried to flee a gang of narcotics cops who jumped him at a gas station in 2009; Clayton Helriggle, a 23-year-old college student killed during a marijuana raid in Ohio in 2002; and Alberta Spruill, who died of a heart attack after police deployed a flash grenade during a mistaken raid on her Harlem apartment in 2003. Most recently, voting rights activist Barbara Arnwine was raided by a SWAT team in Prince George's County, Md., on Nov. 21. The police appear to have raided the wrong house.

The drug war has been the primary policy driving the trend but, since 2001, the federal government has also used the threat of terror attacks to further militarize domestic law enforcement. This includes not only finding new sources of funding for armor, weapons and gear, but also claiming new powers for the "War on Terror" that are then inevitably used in more routine law enforcement.

But paramilitary creep has also spread well beyond the drug war. In recent years, SWAT teams have been used to break up neighborhood poker games, including one at an American Legion Hall in Dallas. In 2006, Virginia optometrist Sal Culosi was killed when the Fairfax County Police Department sent a SWAT team to arrest him for gambling on football games. SWAT teams are also now used to arrest people suspected of downloading child pornography. Last year, an Austin, Texas, SWAT team broke down a man's door because he was suspected of stealing koi fish from a botanical garden.

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Follow Radley Balko on Twitter: www.twitter.com/radleybalko

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Sunday, December 04, 2011

Let your young ones use your iPad? How To Setup Parental Controls on iPad.

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How To Setup Parental Controls on iPad (OS 3.2 Edition)
Simple Steps for the iChallenged Parent
TIME magazine refers to the iPhone as "increasingly the source of forbidden fruit", referring to ubiquitous Internet access on the device. Today, "iPhone porn" is among the top iPhone related searches on Google. Apple released enhanced parental control features for the iPhone in the OS 3.0 version in response to these concerns.

The same features carried over to the new iPad launched by Apple. This Knol provides updated steps and screenshots for the new device.
Contents
General Parental Control Restrictions Setup
Mobicip Safe Browser Setup
LinkCitationEmailPrintFavoriteCollect this page
Here is a step-by-step guide to setup parental control restrictions on the iPad with OS 3.2. This is a follow-up Knol to the hugely popular How To Setup Parental Controls on iPhone & iPod Touch (OS 3.x Edition). Though this page is long, the steps are generally intuitive and easy to follow. If you prefer video, catch the video tutorial on YouTube instead. An updated version of this Knol for iOS 4.2 is available now at How To Setup Parental Controls on iPad (iOS 4.2 Edition).
General Parental Control Restrictions Setup
From the home screen, select Settings > General.

Select Restrictions. If you haven't done this before, select Enable Restrictions.

Enter a 4-digit passcode. Make sure you remember this passcode, in case you need to change these settings.

You will see the restrictions screen. Set Safari, YouTube, and Installing Apps to OFF on this screen.
NOTE: Some parents may choose to allow apps to be installed with age restrictions setup, but be aware that there are still issues with the age-based ratings and browsing the App Store itself.

Scroll down the screen to the Allowed Content area.

Set In-App Purchases to OFF.

Select Music & Podcasts. Set Explicit to OFF.

Select Movies. Select the rating you would like to allow.

Select TV Shows. Select the rating you would like to allow.

Select Apps. Select age-based filtering for apps you would like to allow.

Hit the Home button to return the home screen.

Mobicip Safe Browser Setup
Mobicip offers a best-selling alternate browser for Safari that enables parental controls on your child's iPad. It is simple to setup and works anytime anywhere! The Mobicip Safe Browser is protected by a mobicip.com account setup by the parent.
From the home screen on the device, touch the App Store icon.

Touch the search tab, and search for "mobicip"

Select the Mobicip Safe Browser from the search results.

Touch the price button, it will turn into BUY NOW. Touch this button and enter your iTunes username and password.
NOTE: Please make sure you purchase the app from your iTunes account, even though your child may have a separate iTunes account to which the device is regularly synced with.

Once purchased, the app will be installed on your screen.

When installation is done, touch the Mobicip icon to launch the app.

If you don't have a Mobicip.com account already, touch the Create New Account button.

Once the account is created, login into the app. You should see the browser open up like this.

Tap the URL bar at the top of the browser, and enter the website you wish to access.

The browser should open the website accessed.

Visit www.mobicip.com from your PC to upgrade to the Mobicip.com Premium web application. Mobicip.com Premium is a web-based parental control application that can be accessed from any browser. The Premium application allows you to setup custom Internet filtering settings and policy, and monitor Internet usage on the iPad that uses Mobicip as the primary browser.
That is it! You can be rest assured that your child will have a safe and secure Internet enabled device that he/she can use anytime anywhere!

by Suren Ramasubbu

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Saturday, December 03, 2011

I wonder how many of these kids are on E? forma @HappyDog

I wonder how many of these kids are on E? forma @HappyDog


Sent from ._:kltr:_. iPod

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Friday, December 02, 2011

Pic of the Week: Uncle Bennie Edition « In The Muse: Performing Arts Blog

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This week marks the inauguration of the Copyright Office’s first blog [add link] , on the forthcoming digitization of copyright records.

The digitization of copyright records for music will be an enormous boon to people trying to clear music rights. But it also has huge implications for music scholarship and for everyday folks. Just ask Uncle Bennie.

My great uncle Bernard McLaughlin was a classically-trained pianist and composer based in Boston. With his brothers, Bill and my grandfather Jack, the McLaughlin Brothers played hotels and dance halls in Boston and toured throughout New England, New York City, and the Hudson River Valley. For the rest of his long life, he made his living through music and writing songs.

One day during a tour of the Copyright Office, on a lark I looked up Uncle Bennie in the card catalog. My chance visit led to the discovery of lost songs that mostly hadn’t been seen since Uncle Bennie sent them in for copyright deposit. I was astounded to find that he had registered 42 songs through 1936, most still unpublished. It’s an amazing peek into popular history: songs like “How I Love to Ride in a Rumble Seat” (1928), “What Is This Power I have Over Women” (1928), “Looking Through the Radio” (1929) [about the invention of television], “Everyone’s Economizing Now” (1931), “If Women Start Dressing Like Men” (1934), and “So Says Mussolini”(1935).

Doughboy Jack McLaughlin on banjo. Courtesy Hope O'Keeffe.
Uncle Bennie is our family’s musical success story; a couple of his songs were recorded and are still played, and he’s even represented on YouTube playing the piano. But we had no clue about the hard work and persistence behind that success. Here’s a struggling musician, during the Depression, who invests in the American dream by regularly scraping together the cash for copyright registration. The card catalog is filled with such stories. It’s an incredible resource.

Now, before the digitization of the Copyright Office’s records, obtaining lost music like Uncle Bennie’s was a hard slog. I had to go to the Copyright Office, hand-copy the cataloging information by pencil (pens are banned around the card catalog), carry it down to the Performing Arts Reading Room, wait for the songs to arrive from off-site storage, and then bring them home to plunk at on my piano to bring this music back to life for the first time in over 70 years. Now, sometime within a decade or so, at least the first step will be just a few keystrokes away.

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Nero - Me & You . This is the track playing during the Dre throwing paint Headphone commercial. I dig.

Nero - Me & You . This is the track playing during the Dre throwing paint Headphone commercial. I dig.

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Thursday, December 01, 2011

6 Thoughts That Harm Creativity

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6 Thoughts That Harm Creativity by Michelle, November 18th, 2011, In Inspiration and Tips

Artists have a lot on their plate. Not only are we frequently on the hunt for ways to bring something new and special to our work, we are constantly seeking out happiness, optimism, and motivation in our struggles for recognition. On our mission to stay positive we often neglect to acknowledge the things that keep us from feeling the way we want to about our outlooks for the future.

It’s likely that a handful of the deadly sins of creative thinking have entered your mental workspace at some point or another. By becoming aware of what freezes your creative process, you’ll be better equipped to banish negative thoughts next time they come around.

1. Believing you are not a creative person

Buying into the common idea that creativity only belongs to certain people will keep you far away from it. Everyone has some level of creativity, albeit some more than others. If you find yourself drawn to creative activities, there is no reason why you can’t be as good as a professional if you work hard enough at it.

2. Fear of failure

Many people prefer achieving nothing over trying and failing because they equate failure with being worthless. A bad piece of art will not define your career if you go on to produce better art. Failure is an ingredient in success.

3. Failure to act

James Cameron, director of Avatar and Titanic said:

“There are many talented people who haven’t fulfilled their dreams because they over thought it, or they were too cautious, and were unwilling to make the leap of faith.”

Thoughts do not translate into action. You are solely responsible for producing a tangible artistic product. Your first foray into a craft doesn’t have to be an instant hit. Understand that learning from your mistakes applies to creative work just as much as the rest of your life.

4. Failing to produce ideas

The fastest way to stop tearing apart the creative works of others is to try it yourself. Sitting down to write a song is a fast wake-up call to how complex it can be – Leonard Cohen said it took him two years to write his signature song “Hallelujah.” J.K. Rowling outlined the plot for five years before she drafted the first Harry Potter book. Producing good work is hard.

It will also open your eyes to how much time you waste in being a critic. Being a critic is an entire career path in itself. Unless you plan on becoming a critic, channel your energy into your own work and use your time to come up with fresh ideas. The media may try to convince you that overnight success is a commonality, but most artists will tell you this is not true. Everyone needs to elect a starting point for themselves.

Once you’ve brainstormed and come up with your own ideas, don’t give your inner critic the free rein to come up with reasons why your ideas can’t be executed. Just proceed with them and let the artistic journey unfold on its own.

5. Not looking at things in different ways

Not every problem you face will have mutually exclusive answers. Seeking out answers that may not follow your usual line of logic can lead you to conclusions you did not think possible at first. Do not close off alternative lines of thought when immediately presented with a problem. Instead, consider a new or unfamiliar approach.

6. Failure to accept personal responsibility

Most people seek to blame unwanted circumstances on their current situations rather than consider how their actions have affected an outcome. If you work at it, you can change your attitude and approach to important creative tasks. Every vice has its remedy, be it procrastination, negativity, or a lack of discipline. Life does allow U-turns; and the old adage that it’s never too late exists for a reason.

Below is some priceless and honest advice from radio personality and producer Ira Glass of This American Life. Graphic courtesy of My Modern Met.

About The Author

Michelle

A native of Silicon Valley, Hollywood's nerdy alter-ego, she's an excellent source of useless information. Likes: a good power ballad, Pop Rocks, and Tyler Durden.
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